An Undergriund World Of Soviet Opulence
Amazing opulence
During Soviet
times, if a city’s population topped one million, it would become
eligible for its own metro. Planners wanted to brighten the lives of
everyday Soviet citizens, and saw the metros, with their tens of
thousands of daily passengers, as a singular opportunity to do so.
In 1977, Tashkent, the capital of Uzbekistan, became the seventh Soviet city to have a metro built. Grand themes celebrating the history of Uzbekistan and the Soviet Union were brought to life, as art was commissioned and designers set to work. The stations reflected different themes, some with domed ceilings and painted tiles reminiscent of Uzbekistan's Silk Road mosques, while others were decorated with chandeliers and marble to give the appearance of European ballrooms. The result has been described by Lonely Planet as one of the most beautiful Soviet metro systems in the world. (Credit: Taylor Weidman)
In 1977, Tashkent, the capital of Uzbekistan, became the seventh Soviet city to have a metro built. Grand themes celebrating the history of Uzbekistan and the Soviet Union were brought to life, as art was commissioned and designers set to work. The stations reflected different themes, some with domed ceilings and painted tiles reminiscent of Uzbekistan's Silk Road mosques, while others were decorated with chandeliers and marble to give the appearance of European ballrooms. The result has been described by Lonely Planet as one of the most beautiful Soviet metro systems in the world. (Credit: Taylor Weidman)
Silk Road history
Alisher Navoi
station, named after the celebrated Uzbek writer and artist, is one of
Tashkent Metro’s most famous stops. Inside, the arched domes and blue
tilework remind passengers of Uzbekistan’s storied Silk Road history
with its ancient mosques and madrassas. The station is one of Tashkent’s
busiest, filled not only with bustling commuters but also tourists and
locals taking photos – a practice that was forbidden until recently.
(Credit: Taylor Weidman)
Hidden away
When the Tashkent
Metro was built, photography was banned in its stations because of its
ancillary role as a nuclear bomb shelter. During Soviet times, fears of
spying and a tight control on information meant photography was largely
distrusted, especially around sensitive military infrastructure,
including bomb shelters.
After the fall of the USSR in 1991, Uzbekistan’s former Soviet party leader, Islam Karimov, took power and continued the policy. Karimov’s successor, Shavkat Mirziyoyev, however, began undertaking reforms, seeking to open up the country’s economy and attract investors and tourists. Perhaps realising the metro’s potential as a tourist draw, the government removed its classification as a military installation in mid-2018 and lifted this 41-year ban on photography. (Credit: Taylor Weidman)
After the fall of the USSR in 1991, Uzbekistan’s former Soviet party leader, Islam Karimov, took power and continued the policy. Karimov’s successor, Shavkat Mirziyoyev, however, began undertaking reforms, seeking to open up the country’s economy and attract investors and tourists. Perhaps realising the metro’s potential as a tourist draw, the government removed its classification as a military installation in mid-2018 and lifted this 41-year ban on photography. (Credit: Taylor Weidman)
Themed stations
Inside the Tashkent
Metro, stations are all uniquely designed and decorated in marble,
granite, glass, ceramics and alabaster. Many of the motifs centre around
a specific theme, often described in the station’s name. For example,
Kosmonavtlar Station (pictured) on the O’zbekiston Line references
Soviet cosmonauts and celebrates the Soviet Space Program, while Pushkin
Station, which honours the life of the famous Russian author and poet,
sits a few stops away on the Chilonzor Line. (Credit: Taylor Weidman)
The Space Race
A portrait of Yuri
Gagarin, the first person in space, adorns the wall of the Kosmonavtlar
Station. Gagarin, and other early cosmonauts, were some of the USSR’s
most important heroes, symbolising Soviet power and supremacy during the
Space Race and widely depicted in Russian propaganda. Around him, the
walls are lined with surreal portraits of famous cosmonauts floating
through space amid a futuristic design of blues and blacks – similar to
the colours astronauts would see as they left Earth’s atmosphere.
(Credit: Taylor Weidman)
Proletariat flair
In true Soviet
fashion, the work of the proletariat is also celebrated. In Pakhtakor
Station (which translates to “Cotton Picker”), stylised images of cotton
are depicted in huge mosaics across the metro walls. The Soviets
envisioned Uzbekistan as a vast cotton-producing nation, reworking the
agricultural economy and diverting waterways until the country produced
70% of the USSR’s cotton needs. This famously led to environmental
disaster when the Aral Sea – once the world’s fourth-largest freshwater
lake – began drying up, leaving fishing fleets and port towns rusting in
newly created deserts. (Credit: Taylor Weidman)
Soviet trains
Underneath this
veneer of opulence, the metro has a very Soviet, utilitarian feel at
times. Many of the trains still operating today are of a well-known
class, 81-717/714 cars, which were designed in the mid-1970s and are
common throughout post-Soviet metros. There are four carriages per
train, serving the stations’ 100m-long platforms. As of 2013, 168 of
these distinctive blue-painted, Soviet era trains still operated, but
they are being slowly replaced by newer models. (Credit: Taylor Weidman)







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