The cultural heritage of China's Muslim community
In her bright head scarves and long, flowy
dresses, Yonghua Zheng is a recognisable figure around Sangpo in Henan
province, central China. This is because Zheng is an imam – or Ahong –
of an all-women mosque in the hamlet.
More amazingly, Zheng is not alone in the
province; becoming a female Ahong is a 400-year-old custom in the
province where Islam has taken root for over 1,000 years. In the Muslim
quarter of Sangpo, there are said to be six women-only mosques while in
nearby town Kaifeng, there are reportedly 16.
This is one of the stories about Islam in
China being eclipsed by the world’s attention on the Uighur Muslims’
conflict in Xinjiang, says writer and publisher PK Koya.
With a new pictorial book he edited, simply titled Islam in China,
the Islamic book publisher, who is popularly known as Haji Koya in the
local publishing circle, hopes to shed light on the long history of the
religion across vast China, as well as its rich, diverse legacy.
“We want to introduce Malaysians to the
history of Islam in China and show that that there are numerous Muslim
communities in the world’s most populous country – and there are strong
Muslims there,” he says.
Writings by experts in the field – including
Yusuf Liu Baojin, Alexander Wain, John Lawton and Aaliyah Green – are
framed by a trove of photos, charts and maps to paint the fascinating
landscape created by the interaction and intersection of these two great
civilisations.
As Haji Koya puts it, Islam has
not only peacefully co-existed within Chinese society for over 1,400
years but in many parts of the country, its practice has also interwoven
into the mainstream culture and even thrived with distinctive Chinese
characteristics.
The female imams and women-only mosques are merely starting points, he says.
According to Dr Maria Jaschok, director of
the International Gender Studies Center at Oxford University, who has
studied the phenomenon for over two decades, these female mosques serve
as community centres for women while the female imams have the same
responsibilities as their male counterparts, except for officiating
weddings and funerals.
In many parts of the Muslim world, Haji Koya
points out, the issue of female imams is still a source of controversy,
if not novelty – one of the most well-known women’s mosques outside
China, which is in the United States, was only built in 2015.
“Muslims in China are the first ones to introduce a women-only mosque with a woman imam,” he notes.
This long historical tradition, is
specifically unique to the Hui Muslim community, the largest Muslim
ethnic minority group, and the third largest ethnic group, in China.
The Muslim population in China can be
divided into 10 ethnic minority groups (out of 55), making up some 22
million people or 1.6 percent of its total population.
These ethnic communities practise various
Muslim schools of thought from Sunni to Shia, Sufi and Chinese-Islamic
teachings such as Xidaotang and Yihewani. While many live in the rugged
mountains and desert basins of the northwest (Xinjiang, Ningxia, Gansu
and Qinghai provinces), the Hui live in compact communities scattered
throughout China – with one of the largest enclaves in Beijing.
And while most of the Muslim minority groups
are descendants of the Turkic or Central Asian peoples, the Hui are
descendants of Chinese Muslim converts or of Chinese intermarriages with
Muslim immigrants – Arab warriors who came to China to help various
emperors fight their enemies or Arab and Persian merchants through the
Silk Routes. Their appearance, language, and other cultural
characteristics are hence distinctly Chinese.
This can also be seen in the architecture of
their older mosques such as the Niujie Mosque in Beijing and the Great
Mosque of Xi’an which boast a brilliant blend of Islamic and Chinese
designs.
According to scholars, Muslims in China have
enjoyed relative religious freedom over the years, even in the first
few years after the founding of the communist state in 1949. It was only
during the chaotic early years of the Cultural Revolution that Muslims
were prohibited from openly expressing their religious belief.
After the death of Mao Zedong in 1976, the Chinese government adopted more relaxed policies towards Muslim communities.
But tensions have been growing since the
9/11 attacks in the United States, escalating in 2009 with ethnic riots
between the Uighurs and Han Chinese in Xinjiang. In the past year, these
tensions have heightened according to news reports.
Haji Koya believes that is a political issue, not religious or cultural.
“The Uighurs in the Xinjiang province, which
borders other Muslim countries, want their own separate state like
Aceh, Kashmir and Punjab.
“But you also have to see it from the
Chinese government point of view. They own the border and their security
is important. They want to keep China as one country.”
He also thinks the reports, to some extent, are a backlash towards China’s meteoric rise in the world.
“China’s now coming up and may take over
America in a few years time. So, all of a sudden the West is going on
and on about how China is oppressing the Muslims.”This is why he
deliberately avoided politics in the book – to present a view beyond the
geopolitical haze, he stresses.
“We looked only at the history, spread and culture of Islam in the country.”
He adds, what many may not also realise is
that Muslims were prominent and influential in the government and
kingdom of China, starting from the Yuan dynasty through the Ming
dynasty.
“The Chinese Muslims are loyal, they are
quite proud to be Chinese. And at the same time, they’re quite proud to
be Muslim,” says Haji Koya.
The book took two years to complete since it
was first conceived, he tells. “There are few books that bring together
the whole picture of Islam in China, so that’s why we decided to
collect and compile the different articles, photos and documents to
illustrate it.”
Architecture is only one area explored in the pictorial book to trace the historical ancestry of Islam in China.
Other areas looked at are the Chinese-Muslim
cultural heritage in food, arts and craft, literature and traditional
medicine. Then there are famous Chinese Muslims including ancient
astronomer Ma Yize, architect Amir al-Din and Admiral Zheng He.
The tome is also peppered with various
quirky “Islamic relics” of China: a Muslim wushu grandmaster dubbed the
Shaolin Sheikh and the Han Kitab, which contains a collection of
Chinese-language Islamic texts.
One point of interest is the Sini script,
which is an “intermingling of Chinese artisan craftsmanship and Islamic
design” – believed to have been created at the end of the Yuan dynasty
(circa 1368).
It is said that in the 17th and 18th
centuries, many pieces inscribed with Sini, crafted by the Chinese, were
commissioned from the Middle East.
Today, a master calligrapher
from the Shandong province, Haji Noor Deen (Chinese name Mi Guang Jiang)
has given the Chinese-Muslim calligraphy a global boost with his unique
style. He even has a permanent piece in the British Museum called “The
99 Beautiful Names Of God”.
As he describes it, the Sini script is not
constrained to the rules of Arabic calligraphy, thus allowing the
calligrapher more freedom of expression.
“Imagine Arabic calligraphy shaped into a
Chinese character, or Chinese characters shaped into Arabic Quranic
verses, and you will get some idea of the intricacy and the brilliance
of the Sini calligraphic style,” he says.
For Haji Koya, this is another example of cultural osmosis that Malaysia can “find affinity” with.
China’s experience in the spread and
adaptation of Islamic cultural civilisation reflects our experience in
South-East Asia in many ways, he says, “where diverse religious faiths
have intermingled for centuries as we interact and assimilate each
other’s socio-cultural practices and heritage.”
This is what he hopes people will take from
the book – that Islam is not a monolithic religion and can co-exist
peacefully and even blend harmoniously with others.
“I wanted to highlight with this book that
there are many different groups of Muslims in the world. It’s a religion
all over the world with diverse cultures, and not a monopoly of the
Malays or Arabs or Iranians.
“And crucially, by interacting with Islam or
being a Muslim, it does not mean that you will lose your culture and
heritage … By being Muslim, you are not going to lose your
‘Chineseness’, look at the Muslims in China, they are still part of
China, the Chinese are still Chinese,” he says.
Ironically, this seems to be something that even contemporary China might need to be reminded of, he concedes.
Recently, it was reported that authorities
in Beijing ordered for halal restaurants and food stalls to remove
Arabic script and symbols associated with Islam from their signs,
alleged to be part of an expanding national effort to “Sinicize” its
Muslim population.
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