These are the women who crushed the Caliphate
(CNN)In early 2016, the first time a friend told Gayle Tzemach Lemmon the story of Kurdish Women's Projection Units in northeastern Syria -- also known as the YPJ -- she had two reactions. The first was fascination: How had no one else told the tale of these women, aligned with US forces (and later provided with support by the Trump administration) who were fighting the Islamic State -- a group which routinely kidnapped, raped and murdered women?
The
second reaction, when an American friend of Lemmon's who had been
working with the women's units, urged her, "Come on, you have to see
it," was: "No."
As Lemmon explains in the introduction to her new book, "The Daughters of Kobani: A Story of Rebellion, Courage, and Justice,"
she had just spent years on books about women and war in Afghanistan:
"I was tired of living two lives, the one at home and the one immersed
in war," she writes. Lemmon, an adjunct senior fellow with the Council
on Foreign Relations and a longtime journalist experienced in reporting
from war zones, is the author of "Ashley's War: The Untold Story of a Team of Women Soldiers on the Special Ops Battlefield" and "The Dressmaker of Khair Kana: Five Sisters, One Remarkable Family, and the Woman Who Risked Everything to Keep Them Safe."
But
she couldn't shake the questions she had about the women fighting in
Syria. Three years of research and interviews and seven reporting trips
to northeastern Syria later, Lemmon's book chronicles some of the YPJ's
fiercest battles with the Islamic State.
Lemmon details how the force that would become the People's Protection Units (YPG)
arose in response to a crackdown against Syrian Kurds after an uprising
at Qamishli in 2004. They offered coed training in ideology and tactics
and became known as the YPG in 2011 at the outset of the Syrian civil
war. A number of the women who became Lemmon's central characters joined
the YPG during those first years of that conflict, which ISIS exploited
to sow violence and grow its ranks. In 2013, the organization's women
members formed their own group, the Women's Protection Units (YPJ).
As
Lemmon takes the reader along with the intrepid fighters she meets,
they rescue trapped colleagues while ISIS fighters taunt them over the
radio for being women. They know that those taunts, coming from ISIS,
mean death, even beheading, if they are captured. They are wounded. They
sustain losses, sometimes heavy ones, sometimes close friends. They
kill to liberate their homeland, even though, as Syrian Kurds, they are
not permitted by the Assad regime to publish in their own language or
celebrate their own holidays. They do not surrender.
Women
and girls in the cities they set free come out to hug them, or simply
to look, marveling that they exist. In one riveting scene, American
soldiers visit a school in Kobani where some of the YPJ had been pinned
down. In the basement, they see graffiti scrawled on the wall. It reads:
"We will fight to the last person."
"Daughters
of Kobani" is a war story for the 21st century, unflinching in its
depictions of the violence and kinship that shape the lives of soldiers
like Nowruz, Rojda, Azeema and Znarin, who serve and lead on the front
lines to liberate the cities of Kobani, Manbij and Raqqa between 2015
and 2017.
Freedom
to risk their lives to fight ISIS was a radical change from the lack of
freedom many of these women faced in their younger years. Azeema,
seeing what things were like for most women around her, had vowed at 13
never to marry; she becomes a sniper and commander in Kobani. Znarin had
been denied both a university education and a love marriage she
desperately desired before her political awakening sent her off to war;
she is later one of a half dozen or so field commanders of hundreds of
fighters in Manbij. Of the latter, Lemmon writes, "While the world
considered ISIS a movement, Znarin saw it as far less grand than that:
for her, ISIS was a group of men who brutalized women and wanted to
destroy her and her friends."
These
women and their comrades are instrumental to the US-backed Syrian
Democratic Forces that ultimately defeat the Islamic State, but since
that liberation, they have been thrust into danger again, facing
military incursion from Turkey without US support.
While
not aligned with the Turkish Kurdistan Worker's Party (PKK), which
Turkey, the US and the EU consider a terrorist organization, the YPJ and
other Syrian Kurds follow the teachings of the PKK's jailed leader,
Abdullah Ocalan, about grassroots democracy and gender equality.
Their
Kurdish identities and association with Ocalan place the women of the
YPJ, their families and their comrades in an uncertain position
militarily and diplomatically against Turkey and in their relations with
the US. As Lemmon puts it in her book, "The future of northeastern
Syria remains a question written in invisible ink in a language no one
can yet decipher."
When
we spoke, Lemmon told me that for now, the women she came to know while
reporting her book are living with "a fragile stability that's
holding." She reports that fortunately amid their other precarities,
they have also been relatively unscathed by the Covid-19 pandemic.
Near
the end of our interview, Lemmon described a conversation she had with
Nowruz, in which she asked what she wants a girl born in Syria 20 years
from now to understand about the war she and her sisters in arms fought
against ISIS -- especially now that things have again become volatile in
northeastern Syria.
She
told me that Nowruz said: "I'm doing this for my nieces and nephews, so
they can speak their language, they can publish in their language, they
can name their children what they wish. So that they can live in
peace." Nowruz wants the yet-unborn-girls to know their own power, to
understand "that we did this for them. For the next generation, so they
wouldn't face this."
The following interview has been lightly edited for clarity and flow.
CNN: I
was really struck from the beginning by the way that you described what
it is to report on and tell a war story. What makes telling a war story
different from other kinds of storytelling? And what made you want to
tell this one in particular?
Gayle Tzemach Lemmon:
Every great story starts with a question you can't answer. And this
story struck me immediately. How in the world did the world's most
far-reaching experiment in women's equality come to be built on the
ashes of the ISIS fight, brought to you by women who fought the Islamic
State, house by house, room by room, and town by town, for a
half-decade? How was it that the Islamic State, which put the buying and
selling of women right at the center of its ideology, was defeated by
women who had women's emancipation and the quest for equality right at
the center of their ideology? It was almost Shakespearean.
To
me, there is no difference between this story, among the stories I've
had the privilege of telling. Because to me, they are all stories of
communities of women underestimated from the outside, at the outset, who
rise to the moment in service to something greater than themselves. And
I think that we all want to see more stories of women's lives in all
their glorious complexity.
CNN: You
do lay out in the early part of the book the multiple questions this
story raised for you. What questions did writing it answer for you and
which remain unanswered?
Lemmon: I
wanted to know what it meant for women to win a war. And I will say
that I have never seen women anywhere in the world more comfortable in
power, and less apologetic about exercising it. And it stays with you
because it looks different. And I wanted to show that. I think the thing
that struck me is we all have mothers and sisters and daughters and
friends in our lives who are just resilient and full of courage, and
full of bravery. And it's wonderful to be able to see on the page, the
story of women, maybe far away geographically, maybe in a very different
context. But bringing all that courage, and all bravery to the fore
every single day to stop the men who devalued women.
CNN: How did you connect with the women who became your main characters?
Lemmon: This
whole story started because one of the women from "Ashley's War"
(Lemmon's last book, about a special team of women soldiers working and
fighting in Afghanistan) called me in 2016 when I was actually in the
middle of school pick up. I was hiding in the bushes at preschool to
take the call on WhatsApp.
She
was calling from Syria and she said, "You have to come see this. This
looks completely different from anything we've ever seen. Not only are
women leading in battle alongside US Special Operations, but they are
leading men in battle. And they have the full respect of the men they
fight with and the men they serve alongside and lead. And of the US
forces, with whom they work." And she also said "That's not all of it,
you know. They're really focused on women's rights and equality and
emancipation."
And I thought: How in the world did this come to be?
CNN: It's
striking how these women remain aware of and deploy their gender, even
on the battlefield. There's Rojda, who goads ISIS fighters she's up
against into giving up their location by going after their masculinity.
And when an American commander meets one of the young YPJ fighters and
she trash-talks him, saying, "I bet I killed more ISIS than you did" --
Lemmon: Oh, I know. The guy on the US side told me that story himself. Multiple times.
CNN: That's
amazing. Did you get a sense when you were working on this story that
these women were developing strategies to weaponize misogyny against
itself?
Lemmon: They were fighting inhumanity with humanity. And they're really funny.
They truly thought it was obvious that women were equal. And they
didn't care what other people would say to the contrary (laughing)
because they had this very strong self-possession. They just knew that
they possessed the right to choose the path of their lives. And weren't
actually interested in what other people thought about that. On the
other hand, you know, I think they deeply cared about other people, I
think they were ferocious in trying to take care of their people. Their
forces, their fighters. You know, every loss they took very personally.
Even if it wasn't somebody they knew personally or well, if they were
commanding and their forces took losses, of course they took it to
heart.
I
think what they focused on most was ending the notion that this kind of
mentality could exist -- the mentality that said women had no value,
women could be enslaved, women could be bought and sold. They wanted to
end that. And they truly believed that they were doing this for women
around the world.
CNN: That
comes through in the book, especially when you describe the Social
Contract of the Democratic Federal System of Northern Syria. I love how
you put it: "women's rights would form the spine of the document." What
has been the impact of this document and the fight to implement it?
Lemmon: I
was sitting with two of the political leaders, Fauzia Yusuf and Ilham
Ahmed. And of the contract (a constitutional document outlining the
political future for the territory won back from ISI), Fauzia said to
me, "We're building a lake in the desert." It doesn't change things
overnight, but having a document that says no child marriage, no dowry,
and that women have economic rights, women have the right to political
participation. The paper, the document doesn't change everything, but it
starts to change some things.
CNN: What
was the role of the American military men who provided support to these
women? And what do you want readers to take away about that
collaborative relationship?
Lemmon:
The American men who worked with these women were forever changed and
their biggest champions. They spoke with me at length. Folks talked to
me at length and in-depth, to help me really understand the extent of
the YPJ's contribution, and also why it mattered to America.
For
example, there's this moment where a US Special Operations soldier
who's watching these young women, 30 of them in a flatbed truck, some
with flowers in their hair. And they have their AKs and they're wearing
their fatigues and their Timex watches and their braids, and they're
smiling and hugging each other as they're at a rallying point getting
ready to go fight the men of the Islamic State.
And
he feels this mix of awe and real grief that he can't go with them
because of US policy. And a feeling of responsibility that he should be
there with them, because he is a warrior who's come of age in the
post-9/11 wars and could help maybe some of their lives. And then he
just stops and says, "You know" -- and he really said this to me -- he's
like, "I just had this notion of the MacArthur speech at West Point, of duty, honor, country."
CNN: Another
thing that struck me: Some of the details about your main characters --
Azeema is great at volleyball, Rojda loved soccer, both talk about
their refusal ever to marry -- those aspects mirror, to some extent, the
life experiences and discussion topics among women and young girls
around the world who care about gender equality --
Lemmon:
Right. So the most universal moment was early on in the reporting
process. I'm sitting there with Rojda. And I asked her, "Why did you
have to form the Women's Projection Protection Units in 2013? You
already had equality according to your ideology, you were already
fighting alongside men in battle." And she's sitting there chewing
sunflower seeds, and she looked at men and said, "We just didn't want
men taking credit for our work."
CNN: I
was especially fascinated by the evolution of Znarin's character, going
from a woman without hope to being a driver for the Women's Protection
Units to becoming the leader of the forces that liberate her hometown of
Manbij from ISIS. What stands out to you most about her story?
Lemmon: What
stood out most to me about her story is that she changed the rules
governing her life. And she did it herself. And she's one of the
kindest, gentlest people -- if you meet her for tea, it's hard for you
to imagine how much horror she has seen. And yet, even all the horror
she has seen, her heart, her kindness is the thing that strikes you
first. And her determination -- she ends up putting herself right in the
center of her people's future. Her moment in the book is so important,
because it shows women challenging the status quo realizing they're not
alone.
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CNN:
It's exciting to hear that the book is set to become a TV series. Even
though it's early in the process, what do you hope for an American
viewing audience to take away from, or bring to, watching this story on
screen?
Lemmon: That
this is a story of David and Goliath, only David also happens to be a
woman. And it is a story about women who persevere and who push forward
against all the boundaries that previously shaped what they could do and
who they could be. And I hope viewers see this as a universal story of
going up against the odds -- so that people determined to bring
inhumanity and barbarity to the world would be stopped.
CNN: I
keep coming back to one question that you raised in the introduction
that I think went unanswered. You asked, "Would real equality be
possible only when women took up arms?"
Lemmon: It really is a central question, isn't it?
CNN: Do you think the answer is yes?
Lemmon:
I don't know the answer to that question. And I don't want to answer
that question. I want readers to contend with what it means when women
fully protect and defend themselves.
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